My Face for the World to See (Part II):
The Diary of Sherilyn Connelly
a fiction


August 1 - 10, 2003

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Sunday, 10 August 2003 (heading for a spin)
11:57am


An hour or so of exercise a week is still better than none, I figure, so I went to the gym this morning. I was there longer than I'd expected to be; the song on my (oh so very finicky) mp3 player wasn't quite done when my hour ended, and nobody was waiting for the machine, so I kept going. Since I was in the groove, and there were a few other songs I was wanting to hear, I made it for another half hour. Probably could have kept on for a while longer yet, but it's possible to overdo these things.

The moron rock station on the gym's stereo (how come businesses never seem to turn on their radios or fucking teevees until after I walk in? are they trying to lull me into a false sense of security?) was doing a thing where they'd play "Dust in the Wind" and the tenth caller would have to make them stop somehow. The station's demographic is exactly the one that made that song a hit in the first place, but I don't think they appreciate the irony.

Listening to NPR on the way home, I thought about the girl who worked the door at the Camp Trans Benefit, who told me after I read that I reminded her of David Sedaris. I fought back the impulse to point out all the ways we're different (for example, he's funny and brilliant), and instead thanked her for the compliment and reminded her that you can't kill the rooster.

Much of being out with Rachel last night involved waiting in lines to look through telescopes. It was okay, though. Normally I loathe lines—it amazes me that people are will to stand outside clubs for hours in the hopes that they might get in—but this was different. It took thousands of years for the light from M-13 and The Ring Nebula to reach here, so it won't kill me to wait a half an hour to look at it. The simple fact of long lines at an observatory on a Saturday night at all was quite heartening, though I doubt that the weekend grosses of American Wedding are going to suffer as a result.

Kirk Read, Alvin and Lynnee are reading at A Different Light today. Tomorrow night I have a photoshoot with Erin O'Neill. Tuesday is my physical at the Waddell, and from there I'm going to a show at the El Rio hosted by Michelle and featuring Meliza and Lynnee, amongst others. Wednesday is the writing group, and possibly Dark Sparkle with Monique afterwards. Thursday I'm editing kittypr0n. Friday is Chick Nite at Spanganga. I'm not actually participating until next month, but it's a show I'd like to see all the same, featuring (once again) Lynnee. On Saturday morning I'm editing the show, and Maddy's going with Allegra to see Bruce Springsteen at Pac Bell Park that evening. I don't know what I'm doing yet that night; possibly Dead Man at the Red Vic. Sunday night is a party for Other magazine. No screening room with kittypr0n this time, though.

A busy week. That's how I like them.

11:25pm

The ostensible host of the reading today didn't know until he got there that it was supposed to include an open mic. Nobody else but me asked about it, and by the end it seemed like he'd forgotten about it entirely. Then Bambi Lake decided she wanted to do one more song, and since setting that up was going to take a few minutes, I asked if I could go ahead and read. Pretty fucking brazen of me, really, but it worked. I guess that's something you need to be able to do when starting out.

The audience was primarily gay men, not actually a group I've read much in front of before. There were two genetic girls in the form of Maddy and Erin O'Neill, Bambi and I were the m2f tranny population and Anders the f2m. Anyway, I seemed to hold their attention fairly well. It was also practice at actually holding the mic, something I don't care for—I've really come to appreciate a mic stand so I can have a hand free for gesticulatory purposes—but need to get used to.

We spent the rest of the evening with Anders and Erin. I got to see the bathtub I'll be nekkid in tomorrow for the shoot. I'll also be dead. I'm quite looking forward to it.

sometime after midnight

I found you crying outside on the wall of Devil's Well...
A hangman's knot around your feet, and praying for the
spell to be shattered. May I be the one to rip the
shackles clean away, and lead you to a place where
loneliness is tackled with a kiss? A kiss that has
no ropes, no strings, no obligations. I don't
owe you; be quite sure, you don't owe me.

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Saturday, 9 August 2003 (whirl away)
7:35pm


Going to the Chabot Space & Science Center tonight with Rachel to look at Mars. It's the first quasi-organized astronomical thing I've done since city college, so I'm quite looking forward to it.

Figures that I didn't get much sleep last night, though. After Tallulah's show I went to Allegra's birthday party, and after the bar closed Maddy and I went and got her a big greasy meal at JT's. (A mistake, as it turned out. Her body isn't so big on the grease these days.) Didn't get to bed until after three, but my system being what it is, I wasn't able to sleep past half past seven. Yay. Wasn't dozey at all seeing The American Astronaut for the fourth time today at The Red Vic (fourth time seeing it, third time at that theater, to be precise), though, which is a good sign.

sometime after midnight

My prometrium has finally ran out, and since he didn't really know what it was, the doctor who saw me at the Waddell Clinic a couple weeks ago didn't refill it. Fair enough, and I may or may not be going on spiro in the near future.

This is where the adventure—The Arrangement—begins.

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Friday, 8 August 2003 (ceramic tincture)
9:14am


We got paid yesterday. The notarized check stub doesn't actually list my hourly wage, but if I'm doing the math correctly, it looks like I've gotten a raise. A small one, but at least I'm above minimum wage—now it's closer to what I was making on unemployment. Between the actual pay, the check I'm getting on the side for commute expenses (I need to ask my dad about how that figures in taxwise) and Kelly's gracious mini-carpool donation, it's almost all worth the effort. It's more than anyone else wants to pay me, at least. And, since I'm not expecting my pay to go up again anytime soon, I'm hoping it puts me in a place where I'm just about worth the money, that even for the things I screw up (there's still the unpleasant business of those first, nonrefundable airline tickets which he wants refunded), firing me and hiring someone a couple dollars cheaper seems like more trouble than it's worth—and I need to remember that I'm not getting paid nearly enough to really devote my whole being to job the way I used to CNET. I'll do my best, but this is not what I am; this is how I fund what I am. There's a difference.

I can barely see what I'm typing because of the glaring sunlight. I wonder if it shows.

4:19pm

It's still very much in the "Wouldn't be cool if...?" phase, but: me as Patti Smith, Anders as Tom Verlaine and Lynnee as Lenny Kaye. Oh my yes.

sometime after midnight

My radio debut went pretty well. Unfortunately, since Liberation Radio's site was down, Ump was unable to rip the netcast, and probably nobody but Violet was actually listening to the broadcast itself. That's show biz.

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Thursday, 7 August 2003 (bruise violet)
9:16am


Okay, so I lied. I didn't do it first thing Monday morning; I managed to find other, more ostensibly important things to do until now. Thankfully, The Boss only asked about it once and didn't seem to consider it a priority. He's not going to like what I have to tell him, though, almost as much as I'm going to not like telling him. And I didn't have the energy to tell the slow-witted fellow on the phone to call me "miss" and not "sir."

The glare from the skylight is horrible today. It's more of a very high window than a skylight, actually, but it still sucks. In addition to the direct sunlight on my skin, I can barely see my monitor. Fortunately, I can wear sunglasses and nobody minds. I'm kinda astonished that nobody's made a vampire joke yet. (At Steven and Monique's house the other night, Violet quite literally stopped at the door while the rest of us went in, presumably waiting to be invited. Old habits die hard, I guess. It was so cute.)

Say what you will about what's happening with the governorship of California—I'd still rather be in my beloved an comparatively freak-friendly home state than Illinois, where the governor just signed a law banning tongue-splitting. Yay freedom! Take that, Osaddam! I have no plans on splitting my tongue, but I don't care to get any tattoos or piercings, either. I wonder how many people with those sorts of body mods turn up their noses at forked tongues, because, you know, it's just plain sick and wrong, or at least shows a lack of common sense. (And never mind the more invisible changes I've made to my body, which, in some minds, is downright unnatural.) I know Chupa's been considering it, and frankly, I think it would look pretty hot on her. Anyway, I love the reasoning behind the ban: "They say the practice is dangerous and could lead to infection." Well, there you go. I guess they'll be outlawing sex next.

1:39pm

So I'm definitely going to be performing at Tarin Towers' Chick Nite. Spanganga, Wednesday September 10 (coincidentally both (e)'s birthday and the eve of Patriot Day, a unfortunate confluence which she's probably very tired of hearing about) at ten in the evening. Out late on a schoolnight—that's what rock 'n roll's all about. Anyway, I have a month to come up with something brand-spankin' new. Goals are good things.

11:16pm

Tallulah asked me to bring a CD of goth music for her show tomorrow night, and this is what I came up with:

01 Current 93 - Killykillkilly (A Fire Sermon) (12:25)
02 Pixies - In Heaven (1:44)
03 Wilt - Radio Tower (6:30)
04 Bigod 20 - The Bog (5:30)
05 Sutcliffe Jugend - Act I Scene II: Fear and Anticipation (5:03)
06 Switchblade Symphony - Chain (5:09)
07 Penis Flytrap - The Living Hate the Dead (3:33)
08 Siouxsie and the Banshees - Burn Up (4:32)
09 Chris Vrenna - Skool Daze (from American McGee's Alice) (5:12)
10 Joy Division - No Love Lost (3:43)
11 Stars of the Lid - Requiem for Dying Mothers part 2 (7:37)
12 Marilyn Manson - Cryptorchid (2:44)
13 Beneath the Lake - Inside Passage (7:22)
14 Tear Garden - In Search of My Rose (4:28)

A mix of Klub Klassics ("The Bog" and "In Search of My Rose" always take me back, but "No Love Lost" rather than the more obvious "Transmission" or "Love Will Tear Us Apart" because I like it better) and some extreme self-indulgence (just about everything else). And, yes, I received the memo saying Marilyn Manson isn't goth. Don't let's go there, okay?

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Wednesday, 6 August 2003 (credit in the straight world)
9:16am


Kelly said I'm very butch this morning, since I was cruising girls (from a distance) at the grocery store. I'm pretty sure it's leftover from hanging out with Lynnee last night. He can have that effect.

10:38am

I saw some pages from How Loathsome #4 when I dropped off Kelly yesterday afternoon, and was absurdly pleased that Chloe is wearing my coat. It makes perfect sense, of course, since I'm wearing it (as Chloe) on the cover, but still. Makes me glad I told Dax I was coveting it back at the Penis Flytrap show, and all the more glad that she's so generous.

I proceeded to pick up Violet and head to Berkeley to see Lynnee featured at Steven and Monique's open mic. Not much of a crowd, unfortunately, but the promotion was kinda spotty. The Guardian should have listed it but didn't, and, well, Lynnee's not the best at the online promotion. It was okay, though, since he kicked ass anyway. It was a weird experience for him to perform at the Cafe Mediterraneum, though, since not only did the basis for Godspeed's Object of Desire use it as a base of operations back in her sex worker days, but Monique is evidently a dead ringer for her. (Likes 'em femmey, he does.) Everything comes around in its own way.

So we were talking outside before the show when when Lynnee pauses to point out a very cute girl approaching from down the street. Because he's a pig and all. As she walks past, I can't help but notice that she looks a lot like Chupa from behind, especially the hair, something Steven observes as well. Lynnee then asks me to repeat the last thing he said. Of course, I haven't the slightest idea—I'd tuned him out and focused on the girl. Well, jeez, he'd pointed her out in the first place. He should have known better.

Sunday's K'vetch was brought up, and Lynnee says he was pleasantly surprised by how quick I was on my feet. Which sounds like a backhanded compliment, but it really isn't; by his own admission the only way to really get a word in edgewise when he's onstage is to overlap and attempt to outjoke him, and that I really held my own, especially for a first-timer. Yay. I needed to hear that.

At one point, a woman who looked like she should be a senator's wife grabbed my arm like Johnny from The Dead Zone (Christopher Walken, not Anthony Michael Hall) and said "You're so cute! You're complete!" Um, sure. Not only am I complete, I've got extras.

The open mic is held upstairs, but from where I usually sit I can see the front door. Therefore, when I saw the ultrafemme walk in I knew Lynnee would soon be almost twice as distracted as I'd been earlier when she inevitably came upstairs. It was actually more interesting to watch Lynnee watching her as she walked to the restroom and back. As she started go back downstairs, Lynnee asked if she wanted to stick around for a while—I could tell he wanted to rush away from the mic stand and over to her, but, well, he's professional, and the show must go on. Still, though, I enjoyed the potkettleblackness of it all. Something tells me he's been known to tune out of conversations a few times himself. So many of my friends are pigs, and I love them for it.

Afterwards, we went back to Steven and Monique's. They showed us some recent paintings, as well as the mostly-completed Sexgoblins book. It's still in Quark format on their computer, but it's already quite beautiful. One of the things I dig about them is how enthusiastic and "Isn't this cool?" they get about showing off such dark art. Besides the fact that they're inherently friendly, the fact that there are so few people in this culture which appreciate what they do surely has a lot to do with it.

Monique wants to go to a goth club in the City with me, provided it isn't Death Guild. Dark Sparkle, here we come. Next week, anyway.

2:59pm

A well-written defense of the freeway sequence in Tarkovsky's original Solaris. Most people found it long and boring, but it was one of my favorite parts of the movie (which most people found long and boring anyway).

3:53pm

Exiting from the Bay Bridge last night, we drove past the Maritime. While it wasn't the first time I've done so in the two years since Shrine closed, I'm pretty sure it had always been during the day. At night, it hurts a little. Yeah, I still miss it.

10:38pm

Just goes to show that there's always a tab for lunch: I got a bill today from San Francisco General Hospital for my intake appointment at the Waddell last month. It's all of ten dollars, which is no problem at all and I'm more than happy to pay it. Just wasn't expecting it, is all. I wonder if there's a sliding scale based on ability to pay, and since I am employed and thus able to pay, I pay. Fine by me. I hope the street kids don't have to.

sometime after midnight

you are not bad.
you are in a safe place.
you are loved.

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Tuesday, 5 August 2003 (days that never were)
10:32am


So Bubba Ho-Tep, which Maddy and I saw in February during the San Francisco Independent Film Festival (with Bruce Campbell and director Don Coscarelli sitting behind us, no less) is finally being properly distributed. Which is a happy thing, because it's a fun movie and deserves to be seen.

Unfortunately, it means that there'll a lot more writeups like this one, from a typically sloppy Film Threat article article about Campbell:

See, in Bubba, Campbell is playing Elvis. Elvis at 68-years-old, that is, and he's in an East Texas nursing home, suffering from a cancer-ridden penis and waiting to die. Then the rest home is attacked by an ancient mummy who is sucking the souls from the residents from any available orifice. There's only one thing for the King to do: team up with an elderly black man who thinks he's JFK and take on this Egyptian ghoul.
Some of what I'm about to say could be considered spoilers, so proceed at your own risk. (By the way, Billy Zane deflowered Sherilyn Fenn's character on Twin Peaks. Since the second season is never ever going to come out on DVD, it hardly matters, does it? Can't be a spoiler for something nobody's ever going to see again, can it? But I digress.)

"The King" teams up with "an elderly black man who thinks he's JFK." Let's process, shall we?

Both the movie and the Joe Lansdale story on which it's based spend a fair amount of time on just how Elvis ended up in that rest home. Long story shortened, it may not actually be Elvis, but an Elvis impersonator. He's not even entirely certain himself. The issue is never really resolved—I'll bet that if you asked Lansdale, he'd shrug—and it doesn't need to be. I personally think the story is more poignant if it isn't Elvis.

The article, and most others I've read about the movie, doesn't even hint at the ambiguity. It's Elvis, and that's that. Why? I'll bet it's because the fanboys who've thus far written about it are so creamy over the idea of "Bruce Campbell as Elvis" (a brilliant bit of casting, no question) that they don't even want to think about the possibility that, if you pay attention to the actual story, that may not really be the case. It's all too complicated. Bruce as Elvis! Woohoo!

Meanwhile, the Ossie Davis character simply "thinks" he's Kennedy. Sure, his story, involving dyed skin and a brain operating from remote, is far-fetched. But when the plot revolves around a mummy—let alone one who wears a cowboy outfit, for reasons which I don't think quite survived the translation from page to screen—doesn't "far-fetched" become a relative concept at best? I mean, if you can accept within the context of the film that supernatural, soul-sucking mummies are real, why can't Kennedy now look like Ossie Davis? Granted, my personal theory is that both characters are deluded, which makes the film all the more touching. And, yes, I'm aware that the synopsis of the film on the official site also says he simply "thinks" he's Kennedy. Sometimes an official synopsis can be poorly written. Take a peek at UPN's Buffy the Vampire Slayer episode guide to see what I mean.

Anyway, could it possibly have something to do with the fact that most of the people writing about the film are white Bruce Campbell fanatics who don't know or care who Ossie Davis even is? Hell, the only credit the Film Threat article gives for him is Cotton Comes to Harlem. Ouch. I'd have probably gone with Jungle Fever, but that's just me. He's so calmly fierce in that movie, it gives me chills just thinking about it. But, once more, I digress.

After the screening in February, Campbell and Coscarelli—both of whom still seemed amazed that someone of Ossie's stature would agree to do a little cult film—answered audience questions. One they did not answer, but which I think illustrates my point was: "Did Ossie Davis's character remind anyone else of Chef's dad from South Park?"

Ugh. Sometimes I'm embarrassed to be a pale-skinned film geek.

jeez—you may have pale skin, but you still need to lighten up!

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Monday, 4 August 2003 (foreign corridors)
7:11am


A few tactical errors were made. I see that now. I had just made up my mind that I was going to read the new piece when Lynnee asked me to temporarily sub for Tara. That should have been a sign that I needed to change my mind again and read something a little lighter, like the piece which I'd originally planned on reading at this month's K'vetch, the followup to what I read last month. But, no, I'd decided I wanted to run with the new one, especially after the (delayed) reaction from the night before.

Except that it really was a bit too heavy to lay on the audience right out of the gate when I was also going to be requiring their goodwill to accept me as a cohost, something I'd never done before. That I'm a regular probably helped, but I still may have fux0red the vibe and made it more difficult to roll with me than it would have been otherwise. The people I spoke to afterwards told me I didn't come across as the fumbling newbie I felt like (though Tristan told me I need to remember to breath, and as usual, he's right), and most importantly, Lynnee told me I did a great job and was really funny. (I didn't buy his "My favorite substitute host for Tara ever" line, but it was nice of him to say.) I was just trying to keep up with him, and while I never quite matched his pace—who can?—I'd like to think I could at least see him on the horizon. I do think we played off each other pretty well, and we picked up most of each others' cues. It was a lot of fun, and I hope I'll get to do it again sometime, somewhere.

Anyway, while the "this is about me and nobody else" disclaimer was necessary, I shouldn't have mentioned the previous evening's walkouts before I read, since that set the wrong mood and may accounts for why the reaction was so somber overall. They were expecting something dirgey, when in fact it's supposed to be both funny and harsh in equal amounts. The last couple times I've read it the jokes worked, and that's crucial since they balance out the aforementioned. Last night, they fell flat. Not that there weren't a few (seemingly intentional) chuckles here and there, but the reaction was not at all what I'd been hoping for. It also makes me wonder if my timing is off, if I've written something which I'm not quite polished enough to deliver properly. Timing really is everything, in both comedy and drama.

I've been asked to perform at Tarin Towers' Chick Nite series at Spanganga next month, which is pretty cool. Seeley Quest also said that after watching me monopolize both the jukebox and the dance floor (both bad habits of mine) on Saturday night before the show, sie'd like to go out dancing with me. Hell yeah.

1:57pm

i told you from the start
just how this would end
when i get what i want
then i never want it again

Death Guild again tonight, I think, for a record-smashing second week in a row. Lauren's definitely not going to be joining me—it had been up in the air last time—but there's always future weeks. Besides, my hair still has most of its shine and bounce and shape from getting it down on Saturday, I'm going to get as much mileage out of it as I can, damnit...

3:04pm

We went by Dog-Eared Books and Modern Times yesterday, which as of June were carrying two copies each of my two chapbooks. There's still three of the four left at Dog-Eared, but unless they got pulled from the shelf or something, all four at Modern Times have sold. I guess I'm going to have to dig up my consignment contract with them, because I should have a (literally) few dollars coming my way. Neat. Not the money, which is nominal at best, but that someone bought them.

3:29pm

Or maybe not Death Guild. Maybe the Lexington instead. Or nowhere at all. Choice is such a burden.

6:16pm

I just called Danielle, the first time we've spoken since she left town. God, she is so not happy in Cleveland. It's palpable in her voice. On the plus side, the voice in question was very lucid and attentive. It isn't always, so that gives me hope. She's still not quite clean, since drugs are just as available out there as they are here, and there's a whole lot less to do instead of drugs. It sounds like a cop-out (no pun intended), and maybe it is, but I can't completely blame her. There wouldn't be much point. I'm not her judge, or anyone else's. She says she's not doing heroin, at least, I can only hope she keeps it together enough to be able to return.

That's something I kept reminding her, that she's not really stuck out there, that she has an escape plan—visiting in this fall, returning in this spring—and needs to focus on it. I also gently scolded her for not having told us she was getting on the bus flat broke a couple weeks back. Fortunately, Ted was there to see her off and gave her a twenty, but I made her promise that next time she'll tell us. I also made her promise that she'd stop being such a damn luddite and actually use her email, since it'll make her feel a lot less lonely—and she's feeling really, really lonely out there. Conversely, I promised to call more often. It seems a fair deal.

She thanked me profusely for calling, saying it cheered her up. I'm glad I was able to make her feel a little better. It's so difficult sometimes to know how to help.

sometime after midnight

Neither Death Guild nor the Lexington tonight. Instead, we went to Tristan's with Violet, got stoned, and went out for sushi. Even better.

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Sunday, 3 August 2003 (one of us)
4:23pm


Not that I knew at the time that there were walkouts. The audience was washed out by the lights of the stage, and while I could tell people were occasionally moving around, well, that's just a given. It wasn't until much later in the evening, when I'd gone outside to get some fresh air, that one of them approached me. She'd been trying to get a cab, but decided to talk to me since she was heading back out of town tomorrow and would probably never see me again.

Anyway, the piece was about my body image issues, and it upset her and her fellow protesters. Which is fine; that's a perfectly valid reaction, and one which I'd expected might happen. I do believe, however, that I made it abundantly clear that it was about me and nobody else, and even made a disclaimer to that effect before I read it. As they pointed out, I don't exist in a vacuum, and that my words impact other people. Very true. And if some are going to be bothered by them, take them more personally than intended, I guess I'll have to get used to it.

It was a very civil conversation, really, and I thanked her for speaking to me, because I did appreciate it. It makes me a little sad that the others decided I was unapproachable, or perhaps simply not worth approaching. Doesn't support their case very well—it's hardly an effective protest when the the object of the protest doesn't even know it's happening. She did say that they were sad to have to leave, since they'd like everything else I'd read up to that point.

I then talked to Meliza Banales about it, since I both respect her a great deal and there was the possibility that the piece might have triggered a similar reaction in her. She told me what I needed to hear: it's okay, and that I should not censor myself for fear of other people reacting negatively, especially when I'm speaking the truth about myself. Which I was, no question there, almost uncomfortably so. (For all involved.) She said that her and Michelle have received that kind of reaction before, both as walkouts and other things less passive. I'm in good company.

The rest of the show was great. I'd never seen Shawna Virago perform before (she missed my reading, but gave me her card and told me to let her know the next time I'm reading, which was very sweet) and since I'd been backstage with Danielle for U. B. Mackin's number at the Drag King Contest, so it was nice to see it from the proper angle. The turnout was pretty good for a show which had barely a week's worth of promotion. And, of course, there was sushi. Horenso, no less.

We didn't get home until almost two, and went to bed shortly thereafter, but the night wasn't quite over—Violet called around three. He'd also called the night before, but we'd both been very much asleep and hadn't gotten the message until later in the day. He's been on a hardcore medicine for an even hardercore infection in his leg and it has the extremely unfortunate side effect of pushing the methadone out of his system. As a result, he's been in one of the worst dopesicknesses since the last time he went cold turkey. Put simply, he's been very, very fucked up this week, and we made a standing offer of help any way we could provide it. Vicodin was the best we could do. I don't know if valium would have helped, and we gave what we had left to Danielle for her trip home. So we got out of bed and drove to his place, stopping along the way at Cala in the Haight to get him some food.

Oy, but he looked bad. He says the nights are the worst, and I believe it. When you're going through withdrawals, they always are. Not that I've ever gone through drug withdrawals (and Violet says that he hopes I never will) but if what I went through that Very Bad Night at Summer's shortly after The Ex and I broke up is even one hundredth of what he's been experiencing—and it probably still doesn't come close—then a late-night delivery of vicodin, orange juice and "Australian toaster biscuits" seems the least we can do.

11:58pm

I cohosted the first part of K'vetch with Lynnee, and...and. Yeah. It was an emotionally exhausting night. But in a good way.

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Saturday, 2 August 2003 (verisimilitude)
4:23pm


I woke up on the couch at half past four this morning. I have no idea how I ended up there, and it isn't the first time it's happened. Talking and moving around in my sleep is something I've always done, and frankly, it's embarrassing. Once when I was a teenager, my mother found me on the couch in the morning and asked very firmly if I was on drugs. I wasn't, and in fact had never so much as had a drink or smoked a joint. I don't think she was entirely convinced, though she thankfully didn't decide to convict on circumstantial evidence like so many parents do.

Though the temptation to just stay up was strong, I lumbered back into the bedroom and slept for a couple more hours. Big day ahead, and all.

As I was making more copies of my second chapbook this morning, I noticed that I'd used the word "seldom" twice in one of the stories. Not in the same paragraph, at least, but on the same page. While I'd fixed the actual typos, that one slipped by, and it bugs me. It feels lazy. I guess I'll fix it in the third printing.

My hair is now freshly blackened and cut. Now the decision is whether or not to wear kitty ears to the show tonight. The other big decision is what exactly to read. I've been told I have fifteen to twenty minutes, and what I have in mind would be closer to the twenty minute mark. The problem is that I feel I should aim for fifteen minutes, since I'm starting the show and I don't want it to be running behind right off the bat because of me bogarting the stage. Seems inconsiderate.

sometime after midnight

While I was reading tonight, a group of four people walked out because they were offended. Nerves were touched.

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Friday, 1 August 2003 (godmod grotesk burlesk drag)
8:57am


The last couple times I got sick before an important reading, I was already feeling it by this point. Nothing so far. I think that means I'm out of the woods. It's a good thing I don't believe in jinxes, huh?

At least one listing for tomorrow refers to me a performance artist. Whooboy. I hadn't planned on taking my clothes off, but now I guess I don't have much choice.

After editing last night, I walked to the Van Ness and Market Rite Aid, conveniently located a few blocks from the studio. The pharmacy was open, but deserted customer-wise, so I was able to pick up my prescription and get in and out with no problem. Yay. It'll kinda suck to do it on a regular basis, but it certainly beats the alternative.

10:14am

Skylight. Sun. Glare. Eyes. Hurt.

12:07pm

I'm going to be on Tallulah's show on San Francisco Liberation Radio tonight. It's from 8 to 10, and is listenable online, a good thing considering the signal can't even be picked up in much of the City, let alone elsewhere. Hey, it's pirate radio, whaddyawant? Tallulah tells me the music is going to be a selection of cool Italian Lounge music, and there will also be some professional domination and humiliation (which I suppose makes as much sense on the radio as ventriloquism), Zenyasha, and, um, me. Should be fun.

4:26pm

I'll do it first thing Monday morning. I promise.

6:18pm

No, I'm not going to be on the show, either. Between it being a new time and length of show for Tallulah, she also has the aforementioned (paid) dom work she'll be doing on the air and a dozen other things to juggle as well, so we're postponing until another night when she can more properly focus on me. Fair enough. I can use the time to go make some more chapbooks.

9:07pm

Haven't made it out to Kinko's, and probably won't at this point, though I've definitely been a presence on Whore Church. Tallulah's spent most of the breaks between music talking about either the Camp Trans Benefit or kittypr0n. In fact, I just called in, at her on-air request, to giving her the exact schedule of the show, and she started quizzing me on the names of the local celebrities' cats who've been on the show. Michelle's Petunia and Lynnee's Thelma were no problem, although repeating the names of (e)'s cats (who haven't appeared yet but are slated for episode #20) was a bit more difficult. It was all the more surreal since we kept the volume turned up so Maddy could continue to listen, but there's a delay of several seconds when listening online—there's no delay on the actual broadcast, since they don't screen for dirty words—so even though I went into the bedroom away from the speakers, I could still hear our conversation from several seconds back coming from the living room. Her half of it, anyway, since she wasn't able to actually put my call on the air, so all anyone else could hear was her asking me questions and repeating the answers.

Anyway, it looks like I'll be on for real next Friday, and she's asked me to bring along goth music. Okay.

sometime after midnight

Erotic is that which you can not have.

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